Stardom and the aesthetics of neorealism gelley ora. Stardom and the Aesthetics of Neorealism von Ora Gelley 2019-01-25

Stardom and the aesthetics of neorealism gelley ora Rating: 5,6/10 997 reviews

Stardom and the aesthetics of neorealism : Ingrid Bergman in Rossellini's Italy (eBook, 2012) [blueshirtsunited.com]

stardom and the aesthetics of neorealism gelley ora

In Beyond the Latin Lover, Jacqueline Reich unmasks the reality behind the myth. The first section examines the origins of neorealism in the international debate about realist esthetics in the 1930s. The E-mail message field is required. Gelley reassesses the relationship between European postwar and American cinema, looking at how the image of the Hollywood star was translated and transformed when it was imported into Rossellini's Italy. His filming of the encounter between Bergman and the Italian landscape involves not only a re-interpretation and transformation of the Hollywood star persona, but also a challenge to the idealized notion of an authentic Italian national collective free of foreign influence. Ingrid Bergman's Star Persona: Blurring the Boundaries 3.

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Stardom and the Aesthetics of Neorealism : Ora Gelley : 9780415890038

stardom and the aesthetics of neorealism gelley ora

The traditional story notwithstanding, the meaning and the origins of the term are problematic. In her investigation of many of Mastroianni's most famous characters in Italian cinema, she reveals that beneath the image of hyper-masculinity lies the figure of the inetto, the Italian schlemiel at odds with and out of place in a rapidly changing world. Contents: Introduction -- Rossellini's war trilogy: Italian cinema and national identity 1945-50 -- Ingrid Bergman's star persona: blurring the boundaries -- Ingrid Bergman and The alien space of Stromboli -- Europa '51: the face of the star in neorealism's urban landscape -- Voyage to Italy: the powers of dispersion -- Afterword. Ingrid Bergman and the Alien Space of Stromboli 4. Contents: Introduction -- Rossellini's war trilogy: Italian cinema and national identity 1945-50 -- Ingrid Bergman's star persona: blurring the boundaries -- Ingrid Bergman and The alien space of Stromboli -- Europa '51: the face of the star in neorealism's urban landscape -- Voyage to Italy: the powers of dispersion -- Afterword. Voyage to Italy: The Powers of Dispersion 6.

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Stardom and the aesthetics of neorealism : Ingrid Bergman in Rossellini's Italy (eBook, 2012) [blueshirtsunited.com]

stardom and the aesthetics of neorealism gelley ora

Rossellini's insertion of the Hollywood star into the native landscape had a significant influence on the director's approach to the neorealist aesthetic. Rossellini's War Trilogy: Italian Cinema and National Identity, 1945-50 2. The disruption of Bergman's character into the Italian landscape became one means whereby the director was able to explore the ambivalence inherent in any attempt to construct a national identity. Rossellini's War Trilogy: Italian Cinema and National Identity, 1945-50 2. Voyage to Italy: The Powers of Dispersion 6.

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Stardom and the Aesthetics of Neorealism, Ora Gelley

stardom and the aesthetics of neorealism gelley ora

His filming of the encounter between Bergman and the Italian landscape involves not only a re-interpretation and transformation of the Hollywood star persona, but also a challenge to the idealized notion of an authentic Italian national collective free of foreign influence. It's easy to get started - we will give you example code. Neorealism, the traditional story goes, was an Italian film style born in the second postwar period and aimed at recovering the reality of Italy after the sugarcoated moving images of Fascism. The book balances theoretical inquiry with close readings of films by the masters of Italian cinema: Roberto Rossellini, Vittorio De Sica, Luchino Visconti, Michelangelo Antonioni, Federico Fellini, Pier Paolo Pasolini, Bernardo Bertolucci, and others. In this exciting new book, Gelley considers the collaboration between Rossellini and Ingrid Bergman in light of the neorealist aesthetic. Rossellini's insertion of the Hollywood star into the native landscape had a significant influence on the director's approach to the neorealist aesthetic.

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Stardom and the Aesthetics of Neorealism : Ora Gelley : 9780415890038

stardom and the aesthetics of neorealism gelley ora

Rossellini's insertion of the Hollywood star into the native landscape had a significant influence on the director's approach to the neorealist aesthetic. Gelley reassesses the relationship between European postwar and American cinema, looking at how the image of the Hollywood star was translated and transformed when it was imported into Rossellini's Italy. Table of Contents Introduction 1. His filming of the encounter between Bergman and the Italian landscape involves not only a re-interpretation and transformation of the Hollywood star persona, but also a challenge to the idealized notion of an authentic Italian national collective free of foreign influence. The disruption of Bergman's character into the Italian landscape became one means whereby the director was able to explore the ambivalence inherent in any attempt to construct a national identity.

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Stardom and the Aesthetics of Neorealism: Ingrid Bergman in Rossellini's Italy, 1st Edition (Paperback)

stardom and the aesthetics of neorealism gelley ora

Divided into three sections, Global Neorealism examines the history of this film style from the 1930s to the 1970s using a global and international perspective. You should start right now! The disruption of Bergman's character into the Italian landscape became one means whereby the director was able to explore the ambivalence inherent in any attempt to construct a national identity. What does neorealism really mean, and how Italian is it? Far from being a study of just one Italian film star, however, Reich's work demonstrates that Mastroianni's inetto is a reflection of the unstable political, social, and sexual climate of post-war Italy and its constantly shifting gender roles. It includes monographs and targeted edited collections that provide new insights into this important and evolving subject area. Europa '51: The Face of the Star in Neorealism's Urban Landscape 5.

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Stardom and the aesthetics of neorealism : Ingrid Bergman in Rossellini's Italy (Book, 2012) [blueshirtsunited.com]

stardom and the aesthetics of neorealism gelley ora

Joseph Luzzi considers the relation between film and literature, especially the cinematic adaptation of literary sources and, more generally, the fields of rhetoric, media studies, and modern Italian culture. In this exciting new book, Gelley considers the collaboration between Rossellini and Ingrid Bergman in light of the neorealist aesthetic. Diverse roles throughout his career -- the impotent man, the cuckold, and the unruly woman's victim, among others -- present an anti-hero caught in traditional but increasingly unsteady modes of masculinity. This study re-examines the director's postwar works in relation to the contemporary discussion on Italian national identity: rather than marking a radical break with the director's early neorealist successes, Rossellini's films with Bergman in fact extend the boundaries of neorealism and challenge the standard reading of its basic tenets, especially the relationship between character and setting. Conclusion About the Author Ora Gelley is Assistant Professor of Film Studies at North Carolina State University. In this exciting new book, Gelley considers the collaboration between Rossellini and Ingrid Bergman in light of the neorealist aesthetic. Her essays have appeared or are forthcoming in Film Studies, Critical Inquiry, Film Criticism, Films for the Feminist Classroom, Cinema Journal, and Camera Obscura.

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stardom and the aesthetics of neorealism gelley ora

Europa '51: The Face of the Star in Neorealism's Urban Landscape 5. About the Series This series is our home for innovative research in the field of film studies. Rossellini's War Trilogy: Italian Cinema and National Identity, 1945-50 2. Her teaching interests include Postwar and Contemporary European Cinema; Stardom in Hollywood and Europe; Film Theory; Violence in the Cinema; Women's Cinema; Feminist Theory; Holocaust Representation; and Film and Literature. Ingrid Bergman's Star Persona: Blurring the Boundaries 3.

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Ora Gelley: Stardom and the Aesthetics of Neorealism (PDF)

stardom and the aesthetics of neorealism gelley ora

You can earn a 5% commission by selling Stardom and the Aesthetics of Neorealism: Ingrid Bergman in Rossellini's Italy Routledge Advances in Film Studies on your website. These films won some of the most prestigious film awards of the immediate postwar period and influenced world cinema. Ingrid Bergman's Star Persona: Blurring the Boundaries 3. Europa '51: The Face of the Star in Neorealism's Urban Landscape 5. Table of Contents Introduction 1. The E-mail message field is required.

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People

stardom and the aesthetics of neorealism gelley ora

Gelley reassesses the relationship between European postwar and American cinema, looking at how the image of the Hollywood star was translated and transformed when it was imported into Rossellini's Italy. Conclusion About the Author Ora Gelley is Assistant Professor of Film Studies at North Carolina State University. His filming of the encounter between Bergman and the Italian landscape involves not only a re-interpretation and transformation of the Hollywood star persona, but also a challenge to the idealized notion of an authentic Italian national collective free of foreign influence. Voyage to Italy: The Powers of Dispersion 6. Ingrid Bergman and the Alien Space of Stromboli 4.

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