Our musicals ourselves jones john bush. Our Musicals, Ourselves: A Social History of the American Musical Theatre by John Bush Jones 2019-02-04

Our musicals ourselves jones john bush Rating: 9,6/10 1048 reviews

Our musicals, ourselves : a social history of the American musical theater

our musicals ourselves jones john bush

Fragmented Society, Fragmented Musicals -- 9. While many aficionados of the Broadway musical associate it with wonderful, diversionary shows like The Music Man or My Fair Lady, John Bush Jones instead selects musicals for their social relevance and the extent to which they engage, directly or metaphorically, contemporary politics and culture. About this Item: Brandeis University Press, 2004. Black and Jewish Musicals since the 1960s -- 7. He has directed dozens of musicals in professional, community, and university theaters.

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Our Musicals, Ourselves: A Social History of the American Musical Theatre by John Bush Jones

our musicals ourselves jones john bush

It starts in the 19th century and runs right up 2001's Urinetown, from which it concludes that the political musical remains alive and well. Long-Running Diversionary Musicals, 1929-1938 362 2 Appendix C. If the condition is critical to your decision to purchase, then please contact us and we will let you know our view of its condition. From United Kingdom to U. A Social History of the American Musical Theatre by John Bush Jones, with a Foreword by Sheldon Harnick. Customer service is our top priority!. Table of Contents Foreword by Sheldon Hamick ix Acknowledgments xi Introduction 1 330 1.

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Our Musicals Ourselves a Social History of the American Musical Theatre

our musicals ourselves jones john bush

Our Musicals, Ourselves is the first full-scale social history of the American musical theater from the imported Gilbert and Sullivan comic operas of the late nineteenth century to such recent musicals as The Producers and Urinetown. It seeks to demonstrate and analyze how Broadway and Off-Broadway have held up a mirror to political and social currents in American society at large. Pages and cover are clean and intact. Our musicals, ourselves : a social history of the American musica theater. Jones, interpreting these shows through a historical lens, enables us to see them with new eyes. Jones, interpreting these shows through a historical lens, enables us to see them with new eyes. Our Musicals, Ourselves: A Social History of the American Musical Theatre by John Bush Jones Our Musicals, Ourselves is the first full-scale social history of the American musical theater from the imported Gilbert and Sullivan comic operas of the late nineteenth century to such recent musicals as The Producers and Urinetown.

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Our Musicals Ourselves a Social History of the American Musical Theatre

our musicals ourselves jones john bush

With six appendixes detailing the long-running diversionary musicals and a foreword by Sheldon Harnick, the lyricist of Fiddler on the Roof, Jones's comprehensive social history will appeal to both students and fans of Broadway. He directed numerous plays and musicals both at Brandeis and in professional theatre, including , and. Gilbert: A Century of Scholarship and Commentary, New York University Press, 1970 , Readings in Descriptive Bibliography Kent State University, 1974 , Our Musicals, Ourselves: A Social History of the American Musical Theater Brandeis University Press, 2003 , The Songs That Fought the War Brandeis, 2006 , and All-Out for Victory! Our Musicals, Ourselves is the first full-scale social history of the American musical theater from the imported Gilbert and Sullivan comic operas of the late nineteenth century to such recent musicals as The Producers and Urinetown. Appendix A: Broadway Musical Production, 1919-1929Appendix B: Long-Running Diversionary Musicals, 1929-1938; Appendix C: Long-Running Diversionary Musicals, 1939-1945; Appendix D: Long-Running Diversionary Musicals, 1946-1960; Appendix E: Long-Running Diversionary Musicals, 1960-1969; Appendix F: Long-Running Diversionary Musicals, 1969-1979; Appendix G: Long-Running Diversionary Musicals, 1979-2000; Sources Cited; Index. More importantly he teaches us to see them not simply as vehicles of transient pleasure but as social documents that help to tell us who we were and who we are—as individuals, as members of a community, as citizens of a nation. Used books will not include dust jackets.

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Our Musicals, Ourselves : John Bush Jones : 9780874519044

our musicals ourselves jones john bush

But the fun comes from showing how events and trends in widely separated decades all sprang from similar currents of thought. Coping with Depression -- 4. Bringing history and musicals together made for a fascinating read! About this Item: Brandeis, 2004. Our Musicals, Ourselves is the most interesting of the bunch. Organized chronologically, with some liberties taken to keep together similarly themed musicals, Jones examines dozens of Broadway shows from the beginning of the twentieth century to the present that demonstrate numerous links between what played on Broadway and what played on newspapers' front pages across our nation.

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Our Musicals, Ourselves : John Bush Jones : 9780874519044

our musicals ourselves jones john bush

By looking at the entire continuum of musicals as a single ongoing dialog between Broadway and America, the book serves up fresh insights and eyebrow-raising parallels on each page. While many aficionados of the Broadway musical associate it with wonderful, diversionary shows like The Music Man or My Fair Lady, John Bush Jones instead selects musicals for their social relevance and the extent to which they engage, directly or metaphorically, contemporary politics and culture. May not contain Access Codes or Supplements. While most examinations of the American musical focus on specific shows or emphasize the development of the musical as an art form, Jones's book uses musicals as a way of illuminating broader social and cultural themes of the times. He has written theater criticism for numerous publications, including the Boston Phoenix, the Boston Herald, and the New England Theater Journal. Thu, 14 Mar 2019 13:08:09 -0500.

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Our musicals, ourselves : a social history of the American musical theater

our musicals ourselves jones john bush

By looking at the entire continuum of musicals as a single ongoing dialogue between Broadway and America, the book serves up fresh insights and eyebrow-raising parallels on each page. In 1996, he received the Louis Dembitz Brandeis Prize for Excellence in Teaching. About this Item: Brandeis University Press, 2004. About this Item: University Press of New England, Hanover and London, 2003. Inscribed in pen on ffep to founding member of the Trinity Repertory Company in Providence, Rhode Island.

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John Bush Jones

our musicals ourselves jones john bush

He is interested in how they engage, directly or metaphorically, contemporary politics and culture. About this Item: Brandeis University Press, 2003. While many aficionados of the Broadway musical associate it with wonderful, diversionary shows like The Music Man or My Fair Lady, John Bush Jones instead selects musicals for their social relevance and the extent to which they engage, directly or metaphorically, contemporary politics and culture. He has directed dozens of musicals in professional, community, and university theaters. He is the author of many articles and has written theatre criticism for several newspapers and magazines. The first comprehensive social history of the American musical theater.

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